About Darron Flagg
Darron's growing repertoire, ranging from Baroque to contemporary pieces, already includes 20 roles in opera, 10+ major concert works in five differently languages. Below is a list, which also includes roles performed, in preparation and identified as ideal for this artist.
| Role | Production | Company | Year |
|---|---|---|---|
| Don Ottavio | Don Giovanni | Verismo Opera | 2022 |
| Box | Box & Cox | Lamplighters | 2021 |
| Nemorino | L’elisir d’Amore | Verismo Opera | 2020 |
| Edgardo | Lucia di Lammermor | Verismo Opera | 2019 |
| Remendado | Carmen | Opera Modesto | 2019 |
| Mozart | Mozart & Sallieri (Rimsky-Korsakov) | Island City Opera | 2018 |
| Ernesto (Cover) | Don Pasquale | Island City Opera | 2017 |
| Juan | Don Quixote | Island City Opera | 2017 |
| Rinuccio | Gianni Schicchi | Verismo Opera | 2016 |
| Pollione | Norma | I Trovatori Opera, Inc. | 2015 |
| Florville | IL Signor Bruschino | Island City Opera | 2015 |
| Lover | Tabarro | Island City Opera | 2015 |
| Rodolfo | La Bohème | Verismo Opera | 2014 |
| Boy | The Magic Fish (World Premiere) | Mondavi Center | 2013 |
| Alfredo | La Traviata | Verismo Opera | 2013 |
| Nathanaël | Les Contes de Hoffmann | West Bay Opera | 2012 |
| Count Ory | Le Comte Ory | Pocket Opera | 2012 |
| Tamino | Magic Flute | West Edge Opera | 2012 |
| Don Octavio | Don Giovanni | OperaWorks™ | 2011 |
| Rinuccio | Gianni Schicchi | Verismo Opera | 2011 |
| Beppe | Pagliacci | Verismo Opera | 2011 |
| Normanno | Lucia di Lammermoor | Festival Opera | 2010 |
| Edgardo (cover) | Lucia di Lammermoor | Festival Opera | 2010 |
| Alfredo | La Traviata | Verismo Opera | 2010 |
| Jontek | Halka | Pocket Opera | 2010 |
| Sharecropper | Dark Review (World Premiere) | Oakland Opera Theater | 2009 |
| Stefan | Haunted Manor | Pocket Opera | 2009 |
| Tenor II | Le Renard | Oakland Opera Theater | 2008 |
| Gastone | La Traviata | Verismo Opera | 2008 |
| Mingo/Crabman | Porgy & Bess | Fresno Grand Opera | 2008 |
| Rodolfo | La Bohème | Capital Opera | 2008 |
| Roderigo | Otello | Sacramento Opera | 2007 |
| Rodolfo | La Bohème | Livermore Valley Opera | 2007 |
| Remendado | Carmen | Festival Opera | 2007 |
| Messenger | Aida | Sacramento Opera | 2006 |
| Ferrando (cover) | Cosí Fan Tutte | Sacramento Opera | 2006 |
| Mohammed | Malcolm X (West Coast Premiere) | Oakland Opera Theater | 2006 |
| Work | Venue / Presenter | City | Year |
|---|---|---|---|
| Carmina Burana (Orff, Soloist) | Disney Concert Hall | Los Angeles | 2025 |
| The Last Kingdom | Covenant Presbyterian Church | Palo Alto | 2023 |
| Death of a Playboy / Dynamo | West Edge Opera | Berkeley | 2018 |
| Howard’s End | West Edge Opera | Berkeley | 2017 |
| Messiah | Valley Choral Society | Sacramento | 2015-2017 |
| Messiah | Oakland Symphony | Oakland | 2014 |
| Messiah | Valley Choral Society | Sacramento | 2012-2014 |
| Mozart Concert | Goat Hall Productions | Berkeley | 2012 |
| Beethoven’s 9th Symphony | L.A. Legal Voices | Los Angeles | 2011 |
| Moby Dick (Hermann) | American Philharmonic | Sonoma | 2011 |
| Lord Nelson Mass (Haydn) | Oakland Symphony Chorus | Oakland | 2011 |
| Creation (Haydn) | Chico State University | Chico | 2009 |
| Messiah | Apollo Orchestra/Chorus | Auburn | 2009 |
| Paukenmesse (Haydn) | Symphony Chorus Gala | Oakland | 2009 |
| Messiah (Handel) | Pacific Chamber Symphony | San Francisco | 2008 |
| Porgy & Bess (Gershwin) | Oakland East Bay Symphony | Oakland | 2007 |
| Creation (Haydn) | Valley Choral Society | Sacramento | 2007 |
| Te Deum (Bruckner) | Fresno Philharmonic | Fresno | 2007 |
| Verdi Requiem | Tulare County Symphony | Tulare | 2007 |
| Bach Cantata #80 | Cantus Firmus | Sacramento | 2006 |
| Program / Degree | Institution / Location | Year |
|---|---|---|
| OperaWorks Summer Workshop | OperaWorks, Chicago | 2023 |
| Sankt Goar International MusicFestival | Sankt Goar International Music Festival, Germany | 2016 |
| Institute of Bel Canto | University of Houston: Texas Music Festival | 2014 |
| Winter Intensive Program | OperaWorks™ (Los Angeles, California) | 2013 |
| Young Artist Studio | New Israel Opera House | 2007 |
| M.B.A. (Global Finance) | Thunderbird, Graduate School of Int’l Management | 2004 |
| Juris Doctorate | University of California, Los Angeles School of Law | 1998 |
| Bachelor of Music | California State University, Northridge (Music) | 1992 |
| Category | Details |
|---|---|
| Languages | German (fluent), English (native), French, Italian, and Spanish (basic) |
| Other Skills | Piano (jazz, classical); Conducting; Dance; and Stage Fighting |
BEHIND THE CURTAIN
International Association of Privacy Professionals
The Association of International Property Professionals (AIPP) is a non-profit trade body that sets ethical and professional standards for companies working in the international property market. Members agree to a strict code of conduct, giving buyers and sellers greater confidence when dealing with overseas real-estate transactions.
UCLA Men's Basketball
The UCLA Bruins men’s basketball program represents University of California, Los Angeles in NCAA Division I competition. The team plays its home games in the iconic Pauley Pavilion and competes as a member of the Big Ten Conference — a change from their longtime Pac-10/Pac-12 affiliation.
The Bruins are one of college basketball’s most storied programs, boasting a legacy that includes a record 11 NCAA national championships.

LA County High School for the Arts
Where young artists come not just to learn, but to live their calling. A tuition-free public high school blending college-preparatory academics with conservatory-level training in dance, music, theatre, cinematic arts, and visual arts. Here, students drawn from across Los Angeles County — from all walks of life — refine their craft under the mentorship of professional teaching artists. Whether stepping onto a stage, striking a chord, raising a brush, or directing a scene: creativity finds its home.

New Voice Studio
New Voice Studio Brilla-Paglin specializes in Vocal Balance™ and Vocal Restoration™, helping singers and voice professionals develop a healthy, flexible, and expressive voice through a refined, research-based approach.
Ann Baltz
Ann Baltz is a nationally acclaimed opera educator, coach, and collaborative pianist known for her innovative, holistic approach to singer training. Through her work with OperaWorks and her extensive masterclasses, she helps artists connect voice, body, and imagination to unlock authentic, expressive performance.
Darron Flagg’s musical journey started at his mother’s knee, working on gospel duets with his twin brother, Aaron, as they toured churches performing arrangements of standard hymns. Drawn initially to piano, clarinet, and tenor saxophone, Darron developed his musicianship through his junior high and high school years. A member of the inaugural class at the Los Angeles County High School for the Arts (LACHSA), he and his brother, a trumpeter, further developed their talents. During his time at LACHSA, he experienced the power of drama and the magic of dance and fine arts through his classmates.
While in high school, Darron auditioned and won the role of “Sal Jr.” in the Percy Adlon directed film Bagdad Café, starring CCH Pounder, Jack Palance, and Christine Kaufmann. In that role, he performed and recorded Bach pieces on piano for the film’s soundtrack. This experience directly led to his passion for foreign languages, as he later studied German, Italian, and French. He was frustrated that he could not converse with the crew, who mostly spoke only German during the production. In college, he performed Shakespeare and acted in Johann Wolfgang Goethe’s Faust and Friedrich Dürrenmatt’s The Visit, performed in German. LACHSA offered students several unique experiences, but it was a performance of Puccini’s La Bohème with Plácido Domingo at the Shrine Auditorium that changed Darron’s artistic trajectory. For the first time, he saw an art form that brought so many disciplines together.
At the same time, his academic abilities led him to California State University, Northridge, where he minored in German. He later pursued his law degree at the University of California, Los Angeles, followed by a Master of Business Administration with a Finance concentration at the Thunderbird School of Global Management. A lifelong learner, Darron later pursued certifications from Harvard Law School, Willamette University, and Stanford Business School. With this training, he worked initially in the media and entertainment industry in marketing and finance. He held roles with the Writers Guild of America, Summit Entertainment (now part of Lionsgate Entertainment), MCA Universal, Soldano Amplification, and the City Attorney’s Office in Los Angeles. After business school, he took a role with Intel Corporation, a multinational technology company best known for CPU (central processing unit) and flash memory, serving as a Senior Financial Analyst. While at Intel, he moved from finance into the legal organization, supporting sales and several business units, rising to the role of Associate Director. After several years, he accepted a Vice President role at PowerSchool, a global edutech company. In a short time, he became General Counsel and supported the company’s initial public offering in 2021 on the New York Stock Exchange. He later served as a compliance and regulatory officer focused on global privacy, AI governance, and corporate secretary duties, managing a global team of professionals.
Throughout his corporate career, Darron continued to hone his musical skills, performing in an average of 3 to 5 operas or concerts every year. Musically, he developed through coaching sessions and vocal lessons with renowned artists such as Bruce Ford, Lawrence Brownlee, Susan Mentzer, Ann Baltz, Cristina Stanescu, and Gianni Savelli. He was fortunate to meet Yoo Ri Clark at church, and their friendship led him to travel to Italy to study with her vocal instructors, Lisa Paglin and Marianna Brilla of the New Voice Studio. Implementing their Vocal Restoration Brilla-Paglin™ principles has been a spiritual-level endeavor. As a lyric leggiero tenor, his voice is lightweight, flexible, and possesses a high range extension while maintaining a uniquely resonant timbre. His talents are well suited to the music of Mozart, Rossini, and Bellini, in addition to contemporary works.
In recent years, Darron has been led to focus more deeply on his passion for singing. He has been sincerely humbled and blessed with opportunities in 2025. In that year, he performed French arias in Paris, France at the famed Salle Cortot, sang the tenor solo in Carl Orff’s Carmina Burana at Disney Hall, performed the role of Tebaldo in Bellini’s I Capuleti e I Montecchi, and gave a solo recital at the Crocker Art Museum in Sacramento, California.
He is excited to see what new opportunities await.